20th of September, 2018

This is it. Weeks to months of hard work has paid off. Our job here is done.

Ladies & Gentlemen, Introducing…



Brahman: The Sacred Cow is a visual investigation of the issues of sustainability and food security in the Horticulture industry. Our artwork aligns the nourishment of the body with the nourishment of the soul.


Brahman: The Sacred Cow utilises the visual conventions of religion to celebrate the agricultural enterprise of horticulture, specifically, its capacity to sustain our world’s population. The opulent installation worships horticulture as a much needed saviour to some of Australia’s environmental and agricultural issues. Religion is defined as ‘a pursuit or interest followed with great devotion’. By emphasising this concept within our artwork, the audience will be inspired to realise the significance of the horticultural industry, as well as their own responsibility in feeding Australia, and encourage them to support the industry along with organic, plant-based products.


Hinduism is a religion that embraces horticulture through its vegetarian ideals. Our artwork’s conceptual practice is heavily influenced by Hindu culture. This is evident in the cow’s name: “Brahman: The Sacred Cow”. Brahman is the name for the ‘Supreme Spirit’, believed to be by many Hindus the one true god. It describes the life force present in all living things and encompasses all things male, female, and animal. However, it is also the name for a Zebu cattle breed, introduced into Australia in 1933: now thriving in northern areas of the country where other breeds fail to survive. Brahman are seen as symbols of strength and survival. Furthermore, the cow is considered sacred in Hinduism. These connections emphasise the cow’s portrayal as sacred, and in turn, something that should not be consumed. This aligns to the significance of horticulture and the Hindu principles of total non-violence and the protection of Mother Earth.


Our cow: Brahman; The Sacred Cow is treated like a god. The meticulous layers of intricate patterns and the embellishment of the form using jewellery alludes to representations of deities and is indicative of the glorification and celebration of horticultural products in our society. It is adorned with a limited palette of teal and gold; not only is it representative of plants and beauty, but the combination of green and gold flawlessly symbolises its Australian identity. The simplicity of this restrained palette allows the intricate detail to gleam, just like the underestimated yet vital practices of horticulture.


Our equally refined shrine, adorned with a plethora of golden fruits and vegetables, serves as the perfect accompaniment to the sacred cow. Immediately, it places these plant-based products in a position of objects worthy of worship and admiration; not only for its beauty but also its nutritional value. Fruit and vegetables have a long history as symbolic inclusions in traditional artworks as well as religious mythological narratives: representing ideas such as the transient nature of life, bounty and fertility. In many cultures, apples symbolise wisdom, lemons symbolise fertility, and peaches symbolizes immortality. Simply spray painting these objects gold immediately emphasises these values for the audience. The cornucopia, from which these fruits and vegetables are poured, symbolises abundance. This is a reflection of the power of horticulture in producing copious quantities of fresh healthy produce that can address the burden of Australia’s issues regarding poverty and food security.

The intrinsic value of horticulture cannot remain underappreciated, and our artwork supports this by spilling gold and beauty into what can be perceived as bland. By equating luxury and decadence with the sustainable power of horticulture, the audience will embrace a fresh perspective and hopefully be inspired to contribute to the solutions that horticulture offers for Australia’s current environmental and agricultural issues.

Stylistic influences

Hinduism became the focus of our representation following a broad investigation of religion. This allowed us to appropriate the myriad of patterns and features and incorporate them into the horticultural content of our design. We also drew from aspects of the vegetarian lifestyle and the more celebratory perspective to aid us in our design of the cow, cart and shrine.


The artwork design was influenced by common components of Hinduism, such as jewellery and fabric. Indian jewellery, specifically bridal jewellery, was used as a reference to inspire and influence the drawn designs. Using Indian jewellery as a reference helped to effectively translate the intricacy and detail onto the design. The neck designs resembled a multi-layered necklace, the ankles designs resembled anklets and the design of the head of the cow referenced Indian jewellery. Additionally, nose rings and earrings were made, which were connected with a golden chain, much like traditional pieces from India.


Other designs were influenced by the patterns prevalent on Indian fabrics. Sarees, Indian wedding dresses and Langas, a traditional Indian dress, were studied. The sheer quality of fabric and detailed patterns influenced the designs. Paintings also included elements of nature, usually in the form of a flower or trees. To emphasise the theme of horticulture, patterns of fruits and vegetables were incorporated into the detailed designs.

The composition of the designs was influenced by actual cows in India and Hinduism adorned with bright, colourful fabrics and covered in jewellery. These animals are dressed as a sign of affection and reverence as they are seen as a symbol of life. For example, inspiration came from the headpieces, necklaces, anklets and the draped fabric that the cows wear on their backs. However, to portray the cow as luxurious, rich, sophisticated and grand, the colour palette was limited to gold and rich dark teal. The gold was influenced by its synonymity to wealth and luxury which was used to portray the richness of fruits and vegetables in terms of their nutritional value and their abundance as an agricultural product. The dark teal was used for its symbolic link to nature and plants, and thus horticulture. Furthermore, the combination of gold and green linked to Australian which is often referred to as the land of green and gold.




The humble food cart is transformed into a sacred site. A shrine for the worship of produce that nurtures and fuels our bodies. The cart-like structure is laden with mounds of fresh fruit. The shrine is heavily influenced by the infrastructure and design traits of traditional Hindu shrines. The fabric draping over cart was directly inspired from palanquins often seen in not only Hindu, but other Asian cultures too. The fruit, vegetables and shrine are painted gold to further showcase the beauty and richness of fruits and vegetables. Combining the idea of a palanquin and cart elevates the concept of worship associated with the shrine, while creating a closer connection to its audience as a familiar item.


Brahman: The Sacred Cow is unique due to the intricacy of design and of its cultural influences. It is more than what it seems on the surface, with each design detailing a story that flows along the body of the cow. Our vision is a strong celebration and honours the enterprise of Horticulture. The nourishment of the population and the fulfilment of health and wealth in our society is central to the piece. Our theme connects culture, religion, art and agriculture. It directly alludes to the multicultural population in our local community and recognises our responsibilities as global citizens.

The material practices employed in the installation Brahman: The Sacred Cow also emphasises the concept of abundance; every aspect from the patterns and symbols to the cornucopia express the wealth of food and the health and happiness it provides. The golden cart holding the beautiful collections and displays of the fruits and flowers further clarifies true beauty of horticulture.

Our artwork augments the true value of the cow by using gold as a symbol of wealth, luxury and decadence. This adds to the artwork’s unique qualities, as it contrasts strongly the traditional notions of a cow. The earthly connotations associated with horticulture and produce is effectively elevated to a spiritual level.





20th of September, 2018

Today’s the day. No more procrastinating allowed anymore. It’s time to go full speed ahead and finish our artwork once and for all!

We spent the five hours of school time that we had to polish off every aspect of our artwork:

painting the rest of the fabric on the cow, cutting the cutouts to fit perfectly on the sides of the shrine, arranging the fruits on the shrine…

But then after school, it was time to put everything that we’ve done for the past weeks together, into one FULL artwork!

And TA-DA!!!

After carrying EVERYTHING to the dance studio, we spent the rest of our time after school taking photos of our FINISHED artwork!

Then we carried it all back.

The cow on the service road
because *ahem*…
we were too tired!

Then, as the time neared 5pm, the effects of Archibull began to show.


19th of September, 2018


Our cow is slowly on the verge of being completely finished. Just a few little changes and refining here and there, and the painting of the border and patterns on the fabric, and the cow is done.




After days of intense costuming & filming & prop work in the dance studio, the music video is finally polished!


But the biggest advancement today was the shrine!

Ms Ross kindly spray painted a whole heap of fruits and vegetables to put in the cart!

The cornucopia was painted, and the cutouts have progressed pretty well!

But the biggest satisfaction of today was when we put the fabric over the cart!

Despite it being so windy, the fabric looked so good on the cart!

Well, just one more (long-awaited) sleep until the day we’ve all been waiting for, the pinnacle of our Archibull journey!


18th of September, 2018


After a LONG debate about what to do for the back of the cow (should we adorn it with an actual fabric or paint the fabric on the cow???), we decided to embark on what is probably the biggest art challenge in Archibull – PAINTING A FABRIC ON THE COW!

The first step was to cover every part of the cow except for its back, and LIGHTLY spray paint it to make it look like fabric. (difficulty & frustration level: ∞)

The second step was to design and paint a very detailed border to finish off the fabric.(difficulty & frustration level: ∞)

On top of that, we also have a cool runway for the cow to make it more glamorous than what it already is!


Meanwhile, our cutouts for the sides of the shrine are still taking HOURS to complete!


But yes, it’s time. A couple of our team members plus a whole lot of other dedicated students in our grade are going to begin filming for our upcoming MUSIC VIDEO, which will be our animation submission! Take a look at some Behind The Scenes snapshots!


All in all, this day was a very productive day, and with only two more days left until Archibull is over, it looks like the amount of work left to do is never going to end…

Thankfully, we’ve got some pizza to brighten up our tired souls!



17th of September, 2018


The shrine is coming together!

Just experimenting with the layout and placement of the Cornucopia and fruit (:

The borders of the shrine are coming along super well too!


As for the cow, it’s just spending hours painting and refining it.


In fact, there have been some changes to the design, one of which is the broccoli.

But changes at this point are okay, because it’s only Monday, the first of the four last hectic, going-to-be-very-productive days of Archibull, and Archibull only!